supported by 13 fans who also own “Goliath's Moon”
The album takes off nicely with David Longdon's "The Strangest Times", but then gets into immediate free fall and deeply underwater for the next few tracks, quite unexpectedly. Fortunately, it recovers with Nick D'Virgilio's "Apollo" (hey, this guy CAN write good music, although he hides this ability most of the time) and the remaining three tracks, one of which is another Longdon masterpiece. So in the end the final impression is somewhat in the positive range. Sven B. Schreiber (sbs)
supported by 13 fans who also own “Goliath's Moon”
Love and peace to Ukraine! With the horrible news about the ongoing war in Karfagen's and Antony's home country and his home town of Charkiw, it's hard to find the proper words, praising this beautiful, symphonic prog album...
I wish you and yours all the best - keep safe!!! Carsten Pieper
supported by 13 fans who also own “Goliath's Moon”
This is the most beautiful symphonic progressive music I have heard since I first heard Yes' Magnification nearly 20 years ago. Robert Reed's orchestrations are magnificent, and are very much on par with Trevor Rabin's film scores as well as Larry Groupe's score for Magnification. I am a french horn player, and his soaring horn parts are some of the best I have ever heard.
For some reason I could not select Part1: Sacrifice as my favorite track. It is indeed my favorite. luckeydoug1